Since 2014, the artists duo researches and intervenes with the found archive of Jacques Bourlanges, author of an intriguing theory of a correlation between star constellations and French geography. His investigation connects esoteric symbols with long forgotten history of villages and mountain names by mirroring geometric figures of stars onto the French landscape. With his passing away in 1991, he left an archive of twenty-four boxes, that waited in oblivion until 2013. It contains an overwhelming abundance of notes, carefully organised in self-made folders, geometric drawings and a profusion of maps overlapped with mysterious lines.
This project is generously supported by the Mondriaan fund, Amsterdams Fonds voor de Kunst and Stichting Stokroos
In 1977 Jacques condensed his obsessive research in a (quite obscure) thesis of 99 pages self-published and entitled “Le Ciel est sur la Terre” (The Sky is on the Earth), starting point and title of this project.
Khurtova & Bourlanges' approach implements their artistic interference and intervention with the gathered content and its form, in order to generate new meanings for a contemporary (or future) audience : we merge the scale of landscape with the scale of the archive paper, intentionally blurring boundaries between the form and content of the archive, we bring accent to the (hidden) structures of Jacques’ thoughts on paper the same way he unraveled hidden structures of constructed landscape, creating poetical connections between matter and meaning.
What is striking in this archive is its massive physicality, even in the most compact form: folded. In those folds are embedded and encrypted many mysteries, quests, questions, ideas, and thoughts. As a rhizome (of Deleuze and Guattari), the map appear as a tool which multiply the access to a reality, and affirm its complexity, multiplicity and singularity: “there is no cartographic truth, only multiple ways to testify of the world through maps”.
By isolating elements of Jacques’ research Khurtova & Bourlanges' process explores logical and illogical approaches and creates new links between form and content. Finally, the (im)possibility of unfolding - to its maximum - the content (of one’s mind?) is translated into a spacious installation. On a larger scope, this investigation is an attempt to make visible and partially unravel the mysterious way one’s mind can function: obsessive and compulsive, logical and associative, pragmatic and unreasonable… The tactility of the works echoes to the fragility of physical traces we may leave behind, as well as the ones superimposed on us and our physical environment by higher forces.
Khurtova & Bourlanges were selected as artists in residency at Atelier Holsboer in La Cité des Arts in Paris – period April-September 2014 – by the Mondriaan fund as a first phase of research. The project was supported in its development phase from 2014 to 2018 by the Mondriaan Fonds and Stichting Stokroos The exhibition Dust to *dust in Arti & Amicitiae was supported by Amsterdamse Fonds voor de Kunst
2019 May Shelf life : Archive event II, Looiersgracht 60, Amsterdam, NL
2018 Oct Dust to *dust, Arti & Amicitiae, Amsterdam, NL
2017 Jan Cephea's chanting stones, Paleis van Mieris, Amsterdam, NL
2016 Oct Cephea's whispering stones, The Bookstore space, Amsterdam, NL
2016 Jun Le Dragon, Delph, Delv, Drag, PlanB, Amsterdam, NL
2016 Jan Looking for the Ursa Major, PuntWG, Amsterdam, NL
2015 July The Memory of a Fold, De Vitrine, Amsterdam, NL
2014 Sept Salon, Atelier Holsboer, La Cité Internationale des Arts, Paris, FR
About Elena Khurtova & Marie Ilse Bourlanges
Khurtova & Bourlanges is an Amsterdam based artist-duo comprising Elena Khurtova (born 1982, Samara, Russia and Marie Ilse Bourlanges (1983, Paris). Actively collaborating since 2009, the works of Khurtova/Bourlanges are a sculptural investigation that conceive the work as a process. Equally fascinated by the conceptual and narrative qualities of materials, the duo often employ those materials that overcome the gap between form and content whilst still maintaining their temporality and vulnerability. Khurtova and Bourlanges met while they were studying Architectural Design at the Gerrit Rietveld Academie, Amsterdam, where they are both currently tutors. They also teach at the Royal Academy of the Arts, The Hague and curate in the fields of design and architecture. Since acquiring the archives of Jacques Bourlanges in 2014, the artists have actively implemented their artistic interference onto this gathered content, each time generating new meanings and making visible the mysterious ways in which the mind can work.